Greta Pratt

Here’s my review of “Nineteen Lincolns,” an exhibit of Greta Pratt’s color photos of historic re-enactments, festivals, and roadside attractions now on view at Bernard Toale Gallery. “I decided to photograph how Americans remember the past,” she has said, “in order to understand what is revealed by the events we choose to celebrate as history.”

Most interesting here and in Pratt’s 2005 book “Using History” are images in which she scratches at places where thorny radical politics and revolutionary movements get smoothed over and polished into wholesome entertainments and product merchandising.

What do we lose when the military might behind 19th-century American slavery and a gun-toting radical ’60s African-American political movement that advocated for jobs, homes, education, and health care become costumes for a night? We forget the messiness and the difficulty, the hard work and the mistakes and the fighting that underlie social change.
Greta Pratt, “Nineteen Lincolns,” Bernard Toale Gallery, 450 Harrison Ave., Boston, May 30 to July 28, 2007.
From top to bottom: “Washington Crossing the Delaware, Washington Crossing, PA,” 1991; “Wigwam Motel, Holbrook, AZ,” 1994; and “Black Panthers at Masquerade Ball, Baltimore, MD,” 1997.
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